THE INFINITY FIELD OF CESARE BERLINGERI
The infinite fold passes between two floors. But, differentiating itself, it is dispersed on both sides: the fold differs into folds, which insinuate themselves inside and protrude outside, organizing themselves in this way like the top and bottom. Foldings of matter under the species of exteriority, folds in the soul under the species of closure. Foldings of the score and folds of the song ".
Gilles Deleuze, The fold. Leibniz and the Baroque, trans. it., Einaudi, Turin 1990, p. 54
He also worked as a set designer and costume designer. But above all, Cesare Berlingeri has always tried to give wings to the imagination and creativity; making an effort, perhaps, to design something like a real "parenthesis"; that allowed life to recognize its own sacred inviolability first and foremost Yes, because, as a rule, life 'violates' every secret, just as it overcomes every obstacle, and proceeds tirelessly ... not by chance, nothing, ever, we are willing to leave to be - but we end up understanding, transforming and improving everything… and we treat it as a real launching pad towards a future that, at least potentially, we would like to be able to break through the boundary that separates us, inflexible, from the infinite. It being understood that the one so intensely craved is an infinity that has always been resolved into mere and rigid "totality". In fact, it is always the same "everything" that life actually wants to gain, so that it can once and for all free itself from " limit ”which insists on giving us back our imperfect“ partiality ”… or“ finiteness ”, if you prefer.
Of course, life is very strange: he wants to earn "everything", and desperately seeks a gesture that knows how to become "definitive", but which, precisely as such, would return us to that limit that we so ardently wanted to deny, or better still overcome. Forcing us to its real finality or
unsurpassable. Yes, life is really strange ... it wants what it seems to want to free us from. Therefore it deserves to be put in brackets ... contemplated, and therefore recognized in its incurable absurdity.
The infinite fold passes between two floors. But, differentiating itself, it is dispersed on both sides: the fold differs into folds, which insinuate themselves inside and protrude outside, organizing themselves in this way like the top and bottom. Foldings of matter under the species of exteriority, folds in the soul under the species of closure. Foldings of the score and folds of the song ".
Gilles Deleuze, The fold. Leibniz and the Baroque, trans. it., Einaudi, Turin 1990, p. 54
He also worked as a set designer and costume designer. But above all, Cesare Berlingeri has always tried to give wings to the imagination and creativity; making an effort, perhaps, to design something like a real "parenthesis"; that allowed life to recognize its own sacred inviolability first and foremost Yes, because, as a rule, life 'violates' every secret, just as it overcomes every obstacle, and proceeds tirelessly ... not by chance, nothing, ever, we are willing to leave to be - but we end up understanding, transforming and improving everything… and we treat it as a real launching pad towards a future that, at least potentially, we would like to be able to break through the boundary that separates us, inflexible, from the infinite. It being understood that the one so intensely craved is an infinity that has always been resolved into mere and rigid "totality". In fact, it is always the same "everything" that life actually wants to gain, so that it can once and for all free itself from "limit" which insists on giving us back our imperfect "partiality" ... or "finiteness", if you prefer.
Of course, life is very strange: he wants to earn "everything", and desperately seeks a gesture that knows how to become "definitive", but which, precisely as such, would return us to that limit that we so ardently wanted to deny , or better still overcome. Forcing us to its real finality or
unsurpassable. Yes, life is really strange ... it wants what it seems to want to free us from. Therefore it deserves to be put in brackets ... contemplated, and therefore recognized in its incurable absurdity.
29.01.2021
Gilles Deleuze, The fold. Leibniz and the Baroque, trans. it., Einaudi, Turin 1990, p. 54
He also worked as a set designer and costume designer. But above all, Cesare Berlingeri has always tried to give wings to the imagination and creativity; making an effort, perhaps, to design something like a real "parenthesis"; that allowed life to recognize its own sacred inviolability first and foremost Yes, because, as a rule, life 'violates' every secret, just as it overcomes every obstacle, and proceeds tirelessly ... not by chance, nothing, ever, we are willing to leave to be - but we end up understanding, transforming and improving everything… and we treat it as a real launching pad towards a future that, at least potentially, we would like to be able to break through the boundary that separates us, inflexible, from the infinite. It being understood that the one so intensely craved is an infinity that has always been resolved into mere and rigid "totality". In fact, it is always the same "everything" that life actually wants to gain, so that it can once and for all free itself from " limit ”which insists on giving us back our imperfect“ partiality ”… or“ finiteness ”, if you prefer.
Of course, life is very strange: he wants to earn "everything", and desperately seeks a gesture that knows how to become "definitive", but which, precisely as such, would return us to that limit that we so ardently wanted to deny, or better still overcome. Forcing us to its real finality or
unsurpassable. Yes, life is really strange ... it wants what it seems to want to free us from. Therefore it deserves to be put in brackets ... contemplated, and therefore recognized in its incurable absurdity.
The infinite fold passes between two floors. But, differentiating itself, it is dispersed on both sides: the fold differs into folds, which insinuate themselves inside and protrude outside, organizing themselves in this way like the top and bottom. Foldings of matter under the species of exteriority, folds in the soul under the species of closure. Foldings of the score and folds of the song ".
Gilles Deleuze, The fold. Leibniz and the Baroque, trans. it., Einaudi, Turin 1990, p. 54
He also worked as a set designer and costume designer. But above all, Cesare Berlingeri has always tried to give wings to the imagination and creativity; making an effort, perhaps, to design something like a real "parenthesis"; that allowed life to recognize its own sacred inviolability first and foremost Yes, because, as a rule, life 'violates' every secret, just as it overcomes every obstacle, and proceeds tirelessly ... not by chance, nothing, ever, we are willing to leave to be - but we end up understanding, transforming and improving everything… and we treat it as a real launching pad towards a future that, at least potentially, we would like to be able to break through the boundary that separates us, inflexible, from the infinite. It being understood that the one so intensely craved is an infinity that has always been resolved into mere and rigid "totality". In fact, it is always the same "everything" that life actually wants to gain, so that it can once and for all free itself from "limit" which insists on giving us back our imperfect "partiality" ... or "finiteness", if you prefer.
Of course, life is very strange: he wants to earn "everything", and desperately seeks a gesture that knows how to become "definitive", but which, precisely as such, would return us to that limit that we so ardently wanted to deny , or better still overcome. Forcing us to its real finality or
unsurpassable. Yes, life is really strange ... it wants what it seems to want to free us from. Therefore it deserves to be put in brackets ... contemplated, and therefore recognized in its incurable absurdity.
29.01.2021